Hello If you’re reading this it’s likely that you are searching for a wedding photographer for your big day at The Mandrake ( great choice in venue by the way ).. needless to say I’m so glad you found me, if you have the time why not stay and take a look around at some of my work, you can visit my portfolio HERE, or even see some real weddings HERE I’m pretty confident you can find many reasons to choose us to photograph your wedding day at The Mandrake.
My name is David, I am an award winning destination wedding photographer who loves the fun, atmosphere and the all round celebration of weddings, I offer a unique contemporary style photographing a wedding, I often appeal to the non-traditionalist, stylish yet contemporary couple. Based in Newcastle upon Tyne ,England, I capture weddings all across the UK, and around Europe and the globe.
I’m so very passionate about what I do, I find inspiration in all places and love to use any available light to by advantage and use additional light for the more creative image. I have had the pleasure of photographing at the The Mandrake on a few occasions, the style and elegance lends itself to creative wedding photography.
I take pleasure in playing an integral role in two people tying the knot but I’m a firm believer in the fact that a wedding is so much more than exchanging words and work to capture every emotion felt and each special moment, translating the true joy of the day through stylish imagery.
Where ever you are in the world, I’d love to be part of it.. I look forward to hear from you.
The Mandrake (Italian: La Mandragola [la manˈdraːɡola]) is a satirical play by Italian Renaissance philosopher Niccolò Machiavelli. Although the five-act comedy was published in 1524 and first performed in the carnival season of 1526, Machiavelli likely wrote The Mandrake in 1518 as a distraction from his bitterness at having been excluded from the diplomatic and political life of Florence following the 1512 reversion to Medici rule. Some scholars read the play as an overt critique of the House of Medici; and some scholars assert that the play is a mirror to his political treatises. However, Machiavelli set the action in 1504 during the period of the Florentine Republic in order to express his frustrations without fear of censure from patrons already ill-disposed towards him and his writing.
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